The Death of the Author and Anticolonial Thought (Palgrave Macmillan, 2025) promises
to transform a decades old debate in literary studies about the
relation between structure and agency, form and intention by giving a
detailed account—previously unstudied—of the way colonized writers have
responded to, learned from, and critiqued the death of the author
postulate declared by Roland Barthes in 1967. The book is a cultural
history of these debates—with a particular focus on two crucial two key
case studies, Martinican poet and thinker Édouard Glissant and
Palestinian literary and cultural critic Edward Said, this book, then,
examines the immediate emergence and intensification of such responses
to the postulate of the author’s deathly absence from the text, in order
to suggest that metropolitan literary theory drew both critique and
engagement from scholars of black, decolonial and Global South
background from both before 1967 and Barthes’s declaration and in its
wake. This book provides a focused account of the early history of the
way global literatures have engaged with, critiqued, and occasionally
adopted the lessons and limitations of the poststructuralist critique of
that most fetishized and also reviled of figures: the author.
Matthis
Frickhoeffer is a scholar of critical theory and French thought with a
background in literature studies, linguistics and art theory. His work
focuses on questions of form, semiotics, and intertextuality. He teaches
at the University of Texas at Dallas.
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