Baudelaire's Objects (Bloomsbury,
2026) examines Baudelaire's multifaceted use of natural, domestic,
urban, and esthetic objects in his verse and prose poetry, as well as
the ways his poems reshape our understanding of objects and how those
objects destabilize, yet preserve, the subject-object relation. Charles
Baudelaire's representation of objects in the natural world establishes a
relation that is neither one of identity between human subject and
nature nor a relation of domination; he reveals both the natural world
and the human subject to be characterized by an irreducible doubleness
and nonidentity to itself. Likewise, everyday domestic objects in his
poems overflow their boundaries as simple metaphors; their often uncanny
aspect highlights their quasi-agency as they define and shape the
subject who interacts with them.
Baudelaire's poems-as-objects
also take on this kind of agency, acting upon readers in ways that both
require and surpass attempts to grasp the poems conceptually as art
objects for analysis. This reshaping of subjectivity and objectivity
acquires increased intensity in his urban poetry, where city objects are
at the intersection of the mythic, the historical, the esthetic, and
the commercial.
Baudelaire's Objects shows
how paying attention to objects differently, as Baudelaire's poems impel
readers to do, is to reorient ourselves in the world by giving objects
their due, recognizing the mediating qualities both of objects and of
the language with which we represent or create them. We can thus
reinvent our understanding of the limits and potential of human
subjectivity as it is inextricably intertwined with the world around us.
Guest
Joseph Acquisto is Professor of French and Director of the School of
World Languages and Cultures at the University of Vermont. He writes on
nineteenth- and twentieth-century literature with a particular focus on
the intersections of literature with philosophy and music. In addition
to Baudelaire's Objects, Dr. Acquisto’s books include French Symbolist Poetry and the Idea of Music, The Fall Out of Redemption: Writing and Thinking Beyond Salvation in Baudelaire, Cioran, Fondane, Agamben, and Nancy, Poetry’s Knowing Ignorance, Living Well with Pessimism in Nineteenth-Century France, and Reading Baudelaire with Adorno: Dissonance, Subjectivity, Transcendence.
Host
Gina Stamm is Associate Professor of French at The University of
Alabama, with research concentrated on the environmental humanities and
speculative literatures of the 20th and 21st centuries, from Surrealism
to contemporary science fiction and feminist utopias, in Metropolitan
France and the francophone Caribbean, with a book manuscript under
review on posthumanist ecological engagement in the surrealist movement.
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