Naturalism's Imaginary Museum, French Art, and the Eclectic Nineteenth Century (University of Toronto Press, 2024) examines one of the most revered art historical narratives of Western
art: the famous turning point for painting and sculpture usually
emblematized by the works of Édouard Manet and then the Impressionists.
Instead of the usual revaluation of this turning point, Sara Pappas
argues for the importance of the failure to find a cohesive story for
the art world in the period itself, a difficulty that carries forward to
galleries today. In order to demonstrate the importance of incongruity
and disorder, Pappas brings together two worlds that may seem
incompatible: nineteenth-century literary writers involved in naturalism
and the organization of permanent collections of later
nineteenth-century French art in today's museums. Drawing on the art
novels and art criticism of these writers, the book provides optimal
access to the questions that continue to haunt the categorization and
display of nineteenth-century art.
Guest Sara Pappas is Associate Professor of French and Visual Culture
at the University of Richmond. In addition to this volume, she has
published articles on topics from 19th century art criticism by literary figures such as Baudelaire and Zola to the Expositions universelles
to contemporary artist Kehinde Wiley’s influence on French art, as well
as co-curating an exhibit of Nineteenth Century French and Russian Art
at the Harnett Museum of Art.
Host Gina Stamm is Associate Professor of French at The University of
Alabama, with research concentrated on the environmental humanities and
speculative literatures of the 20th and 21st centuries, from Surrealism
to contemporary science fiction and feminist utopias, in Metropolitan
France and the francophone Caribbean, with a book manuscript under
review on posthumanist ecological engagement in the surrealist movement.
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