Ridley Scott’s “The Dog Stars” is a post-apocalyptic mess of borrowed vibes—part 28 Days Later, part Mad Max, part Fallout—with Jacob Elordi as Hig, a haunted pilot chasing hope with his dog and a radio signal, while Josh Brolin’s grizzled survivor just wants to vanish. Set against a world ravaged by a virus, the film clumsily echoes pandemic-era trauma but feels oddly disconnected from its own time, drowning in familiar tropes without ever finding its voice.
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