In western classical music, theorists have long argued (and mostly agreed) that individual notes of the major and minor scale have sensations associated, feelings often described in terms of tension, motion, sadness, and stability. Dr Baker recommends Prof. Clair Arthur’s paper “A perceptual study of scale-degree qualia in context” from Music Perception (2018) which describes testing these associations through the subjective reports of musicians and non-musicians when presented scale degrees in different harmonic contexts. Together we discuss the challenges of the probe tone paradigm, interactions of musicianship training and perception of tonality, and ambiguity in note qualia perception.
Time Stamps
[0:00:10] Introductions
[0:02:40] Summary of Paper
[0:09:50] Origins and Experiment 1 – free association
[0:16:57] Experiment 2 – probe tone ratings
[0:23:25] Results and surprises
[0:28:59] Inconsistency in qualia reports
[0:34:20] Stimulus examples and experiment limitations
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