A queer filmmaker tasked with rebooting a cheesy 70s/80s slasher franchise finds herself pulled into the eerie, surreal world of its original camp setting — where the line between movie and reality blurs, the villain’s mask hides deeper truths, and the film becomes a wild, meta-commentary on horror’s outdated portrayals of women and LGBTQ+ characters. Packed with over-the-top gore, surreal twists, and a French euphemism for orgasm as a villain’s name, it’s a daring, comedic, and deeply unsettling exploration of obsession, legacy, and the power of cinema to haunt us long after the credits roll.
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